Blog

  • Ahab and the Boy: What Drives Us Mad?

    Over the last few weeks, I’ve had the chance to read. Alot. I finished Moby Dick (though I started this a while ago) and I read The Road, by Cormac McCarthy. I loved both books. Obviously, Moby Dick is epic. But both books really push the reader to answer the questions: “Is there any good in humanity?” and “Are we in control of our own destinies?”

    Honestly, I don’t think the answers are so simple. Certainly, people demonstrate small amounts of goodness at some point, but the question then becomes: what is the origin of that goodness? Is it generated from within us, or is it placed upon us somehow? McCarthy’s book is a battle for survival – a journey where the only thing left to do is keep moving.

    The road itself is, in the book, a metaphor for all of life: we don’t know how things will turn out, but we have no choice but to continue on. McCarthy’s book ends with a resounding “yes” to the question “Is there good in humanity?”. But I tend to disagree with where that goodness seems to be generated from. McCarthy would most likely say that the goodness is self-generated and that all humans are inherently good. I think that this goodness is given to us.

    I highly recommend both books, but I would suggest skipping some of the Melville’s writing on Cetology. Though it adds a miniscule amount of depth to Melville’s main character, it does not really add to the plot or overall effectiveness of the book. (Don’t tell him I said that!)

  • Back to the Basics: Booking 101

    If there’s something I’ve had a lot of time to think about over the last six months, it’s how I was going to approach booking for this coming season. As you know, I’ve been up to my eyeballs in work for Restoration Project, and it’s been a struggle to balance booking with recording, promoting, producing, writing, living, etc. BTW, the album drops next week. You should buy a copy.

    But seriously, this week marks another hard push for me with booking shows all over the country – for friends and family and fans. Here are a few things I have been reminded of, as I’ve made calls, sent emails, and in other ways tried to get shows:

    1. I love the music I write. If I didn’t, I wouldn’t have the motivation to call people I don’t know and ask them to consider me to play for their schools, venues, coffeehouses, churches, etc.

    2. There are a lot of people in the world who suck. And they’re going to screw you. The only question is: “How am I going to react when it happens?” I’ve decided that I am only responsible for, and can only control, my own actions. I have to do what’s right: forget about it and move on. And I have to believe that in the end people will get what they deserve: “Not well done, wicked and slothful servant…”

    3. Finally, I believe that a lot of people can relate to my music. They hang on to the words; they are looking for some resolution to some of life’s most mysterious questions. I can be passionate about booking concerts because I think I touch on some of these things. I’m not saying I have all the answers, but I do think great live music can *change* people – how they look at the world, what they think about when they wake up in the morning.

    I’m *really* looking forward to playing some awesome college shows this year, meeting new people, and following the passions set in my heart. I can’t wait to serve you (and you’re just like me!) and share my life and music. Because, as you know, I am a songwriter. I was *made* to write. And if I didn’t, I would probably cease to exist.