New Music… Thursday? Pick of the Week

I can’t believe it’s Thursday! Yeah, a week and a day since my *last* music post (which was already a day after the Tuesday’s new releases dropped).

I’ve only had a chance this week to listen to a small number of new releases. When you consider each new album probably has a 45 minute-plus runtime, it’s easy to see the difficulty of the task. This is why newspapers and magazines have full-time staff members dedicated exclusively to reviewing new albums.

So this week, I’d like to draw your attention to the latest album from one of my favorite artists today: Josh Ritter. His new album is entitled The Beast in its Tracks and you can…

Get it on iTunes here:

https://itunes.apple.com/us/album/the-beast-in-its-tracks/id579109979

Or consider buying the exclusive B&N edition with a special lyrics journal insert:

http://www.barnesandnoble.com/w/beast-in-its-tracks-josh-ritter/25668859?ean=92145170304&isbn=92145170304

Track one is classic Ritter: “night” is in the lyrics and the vocals are doused in reverb. But 55 seconds later, we really get cooking. It’s obvious from the start that Josh has heartbreak on his mind, but it’s not the kind of turn-off that we’ve come to know in break-up songs.
As a whole, lyrically, the album comes off in a similar way as Andrew Osenga‘s Leonard, the Lonely Astronaut (although each artist approaches their subject from different vantage points and ultimately draw different conclusions). Both Ritter and Osenga leave listeners – me – longing to recapture a relational emotion or state of being that has long since begun to wane.
I hate when songwriters are marketed as “thought-provoking” or “honest” or any other cliche about possessing a higher level of poetic- or song-craft. Though they tend to be true, these cliches dumb down the really good songwriters into some sort of quantifiable, understandable category. As a songwriter myself, I don’t find the adjectives helpful because they tend not to be unique to music.
But Josh Ritter comes off to me as human – and relatable. Reading his own history makes it easy to see why his songs resonate this way with me and many others. He’s a pretty normal guy from… Idaho?
So go check out his new record, and if you find yourself listening to the lyrics more than your average Bruno Mars pop song, consider checking out his other records, too. I don’t think you’ll be disappointed.

Music Clout. Seriously?

Wow. Same junk, new name: Taxi. Sonicbids. Reverb Nation. G2.fm. Music Clout. Companies preying on gullible artists, asking them to pay for exposure or concerts or song placement or whatever. Will Music Clout succeed? My guess is yes. Why? Because most artists are looking for a pipe dream: the easy way to musical success. Don’t get me wrong: I’m tempted by the same things.

This Music Clout-sort of a business model works on numbers: get enough artists to sign up (IE: “buy in”) and, for every submission from every artist, the company makes bank. The only cost to the company is the up-front cost in convincing songwriters and bands of the illusion that *their* organization can *truly* “make” a band – make them lots of money – with one of their “opportunities”.

Songwriters and bands, listen up:

NEVER PAY SOMEBODY UP FRONT FOR A CHANCE TO GET HEARD BY A PARTICULAR PERSON, AGENCY, VENUE, OR LABEL.

It’s been said that anything worth having takes work to get. It’s true. 99.99% of the time, these companies will steal your money and leave you in the same place you started: nowhere. You can’t build a music career simply by submitting innumerable entries to virtual businesses. You need to be *there*, in person, pounding the *pavement*. Physical. Work. Sweat.

Wow. Venting. Seriously.